‘The Crucible’ Connection: Grandpa Jones’ ‘I’m No Communist’

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I heard this song — Grandpa Jones’ “I’m No Communist” — today on Back to the Blue Ridge show on my local public radio station, WVTF and thought it would make a great addition to my lessons on Arthur Miller’s play, The Crucible whenever I’m teaching juniors again.

As you probably already know, the play was Miller’s response to Senator Joseph McCarthy’s House Un-American Activities Committee, which investigated all kinds of people during the ’40s, ’50s, and ’60s. The committee, especially following World War II, was concerned with weeding out Communist sympathizers from the Hollywood elite, and those who did not cooperate or who were found to have Communist ties were blacklisted from their jobs.

Grandpa JonesIn Salem’s witch hunts of the early 1600s, Miller found what he considered to be an apt metaphor for McCarthyism. Under the guise of historical fiction, he was able to point out how truly un-American the HUAC really was.

In The Crucible, scores of people in the Puritan village of Salem, Massachusetts, are accused of being involved in witchcraft, their accusers generally seeking revenge, land, or property. All the accused are considered guilty by the court until they are able to prove themselves innocent — which is impossible, since the crime is an invisible one to begin with.

The only honorable thing to do, then, is hang from the gallows. And several of Salem’s elite do just this.

The song is a quirky little number with Grandpa Jones’ sweet, hokey voice and claw-hammer banjo picking. And not only does it provide reference to the Red Scare of the 1950s, during which my mother’s generation had to practice hiding under their school desks in A-bomb drills, but it in part resonates with some of today’s concerns, as well.

In the second verse, especially, which refers to bigger government and taxes, as well as politicians “taking bribes and dressing up their wives in mink.”

“Our national debt is monster size and growin’ every day,” the next stanza reads. “Our children’s children, still unborn, are gonna have to pay.”

Here are the complete lyrics, written by Carson Robison. To listen along, press the play button in the player at top.

I’m No Communist
by Carson Robison (1952)

We’re living in a country that’s the finest place on earth
But some folks don’t appreciate this land that gave them birth
I hear that up in Washington they’re having an awful fuss
‘Cause Communists and spies are making monkeys out of us

The bureaus and departments have been busy night and day
They’re figuring out just how we gave our secrets all away
And Congress has appointed a committee so they said
To find out who’s American and who’s a low-down Red.

They call them up to Washington to speak for Uncle Sam
But when they ask them what they are, they shut up like a clam
I wish they’d take and put me on the witness stand today
I’d shout so loud old Stalin could hear me all the way

Refrain:
I’m no Communist; I’ll tell you that right now
I believe a man should own his own house and car and cow
I like this private ownership, and I want to be left alone
Let the government run its business and let me run my own

Our government is bigger than it ever was today
The more they hire to work for it, the more they have to pay
Our public servants should be proud and honest you would think
Instead of taking bribes and dressing up their wives in mink

The taxes keep on going up of that there is no doubt
But still they just can’t take it in as fast as they dish it out
Our national debt is monster size and growin’ every day
Our children’s children, still unborn, are gonna have to pay

Our dollar used to be the soundest money on this earth
But now two bucks won’t even buy one good dollar’s worth
Unless we stop inflation and take care of what we’ve got
The Communists may win the fight and never fire a shot

Refrain

And a couple of side notes:

  • I was able to see Grandpa Jones perform at the Grand Ole Opry on a family trip to Nashville and Opryland USA when I was about 12. He couldn’t help but make you smile!
  • The WSM publicity photo above (used within fair use) reads, “Granpa [not Grandpa] Jones.”
  • One of the hosts of the Back to the Blue Ridge show is my former DCC history professor, Kinney Rorrer.

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New! Anticipation Guide for ‘The Color of Water’

I’m going to be starting James McBride‘s The Color of Water this week in my regular-level English 10 classes, and I finally created an anticipation guide to begin the novel unit!

You can download it in a DOC or PDF file.

The guide is in the same format as I’ve used with many others, including my Julius Caesar anticipation guide and my A Separate Peace anticipation guide, because I’ve had so much success with that format. It’s a set of twelve statements relating to themes from the novel (mostly prejudice and racial relations). Students have to label each statement true or false and then respond to the statement in some way.

Here’s a list of the statements:

  • Racism is a thing of the past.
  • African Americans are the only group of people who have experienced racism in the United States.
  • Use of derogatory racial terms (like the “N” word) is wrong in all circumstances.
  • Some children are raised to be prejudiced against other people.
  • If someone was raised to be prejudiced, it is okay if he or she continues to be prejudiced as an adult.
  • People should always honor their parents even if they feel their parents are wrong.
  • It is wrong for people of different races to become friends.
  • It is wrong for people of different races to marry.
  • In some cases, it is okay for parents to disown their children.
  • People in big cities are more racist than people in small towns.
  • Parents should tell their children about their own childhoods.
  • Everyone has the right to be treated fairly, regardless of characteristics like race, culture, gender, and religion.

How easy is it for you to answer true or false? What responses do you have to these statements? These issues tend to fire people up, and that’s one reason I think students love this book.

If you haven’t read it yet, I highly suggest you do!

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Student Work: Jekyll & Hyde Posters

My two advanced English 10 classes finished reading The Strange Case of Dr. Jekyll and Mr. Hyde in the last couple of weeks, and I had them create posters rather than take a unit test.

They had more than a week and a half to work on them, but I didn’t give them much time at all during class. (Of course, they didn’t have any other homework, since we were watching the 1941 movie version of the story at the time…)

As usual, the work varied from simply-awesome to barely-there. I have sooo many ultra-creative sophomores this year, though, so they were definitely heavy on the high end!

I’ll post the rubric I used tomorrow (because I forgot to upload the updated version of it to my server and don’t have access to it at home), but each poster had to contain the title, author’s name, one quote with page number, artwork, a description of major characters, and a timeline of the story’s plot with at least ten events.

In retrospect, I wish I had made it clear that these were supposed to be what one of my college professors referred to as one-pagers and everything had to be fit within the framework of one side of one poster. Some students placed work on front and back, and a couple even filled two poster boards, front and back. Although these were great as far as the work and creativity, they don’t publish well…

Also, I wish I’d added a separate graded quality for “creativity,” as I have in past years. That would’ve given me some more leeway in separating the posters that obviously took a lot of time and effort from the ones that were mostly print-and-paste.

I had students present their posters at their desks. (They just had to stand up.) And when it was picture time, I gave them the option of being in the picture or not.

After the presentations in each class, I let students mill around the classroom (which I never do!!) and look more closely at their classmates’ work. Then, I asked them to vote for their top three choices for Best Poster. I tallied the votes (three points for a #1 vote, two points for a #2 vote, and one point for a #3 vote) and gave out extra credit coupons to the winners (15 points for 1st place, 10 points for 2nd place, and 5 points for 3rd place).

And, now, in the order they were taken, here are the Jekyll and Hyde posters!!

Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster
Jekyll & Hyde poster


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Student Work: Biography Posters

One of my favorite units for regular-level English 10 classes is the biography reading because students get to read a book about someone they’re interested in — and I get to discover all kinds of new stuff about all kinds of people!

They finished up the fourth and last portion of their reading a couple of weeks ago, and their final projects were due last week: posters!!

Their posters had to include the title of the book, the author’s name, the subject’s name, five quotations from the book with page numbers, at least one picture of the subject, and a timeline of the subject’s life with at least ten events.

Twenty percent of the grade involved presentation of the poster to the class. Afterward, I took pictures, which they could choose to be in or not.

As usual, some were more creative than others (and I will be adding a separate graded quality for “creativity” in the future), but most were pretty good!

Here are pictures of the posters, in no particular order:

Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster
Biography Poster

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Character Trading Cards Rubrics

Character Trading CardsI made rubrics for the Character Trading Card activity my students completed during this past week or so and want to share.

Click here to download the Word file.

There are eight small rubrics on each sheet to save paper and copy time.

I left the “Points Possible” column blank for now, but I’ll probably give five points per quality, for a total of 25 points.

The five criteria include:

  • Answer all questions.
  • Use details from story.
  • Use necessary quotation marks.
  • Cut out, fold, and tape card.
  • Paste on or draw picture.

I like to give out rubrics before students complete an activity, and since I didn’t have to foresight (OR TIME!!) to do so, I’ll probably give back the cards for a day to allow time for students to make sure their cards are in order. It seems only fair to me. :/

I’d love to hear your comments and suggestions!

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Literary Character Trading Cards

Character Trading Cards tool
Literary Character Trading Cards

This is a great activity to get students involved with the characters they are reading about. It could work with any round character, whether it be one from a novel or short story.

The online tool takes you through the process step by step, asking questions about the character’s description, insights, development, and statements and actions, and finally about the reader’s impressions of the character.

It’s really easy to use; you can skip questions and come back to them, either with the “last question” and “next question” buttons or with the section links. All of your answers are viewable immediately on the card at right.

The hardest part for me was paring down my answers to fit within the word count! Especially for one of my all-time FAVORITE characters, Atticus Finch, it took me some time to say everything I wanted to say in the space allowed. =)

Once you’re done, print it out. The sheet turns into a playing card after you cut it out and fold it over, and there is a place for a (pasted-on?) picture, also.

The ReadWriteThink site is a humongous collection of English/language arts activities and lesson plans. The organization is a collaboration between the International Reading Association (IRA), the National Council of Teachers of English (NCTE), and the Verizon Foundation. I’m adding this site to my resource links today!

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Teaching Q&A: Getting Students Involved

I get a lot of messages from teachers around the world, from all across the U.S. to Australia, Jordan, and Singapore! Most of the teachers I hear from are requesting materials that aren’t available for download. And many of these teachers are first-year teachers who are working so hard to keep it together and do a great job.

It’s tough. Those of you veteran teachers can look back and remember well your first year of teaching. During mine, I was commuting a half-hour to and from work, raising my oldest son (who was about three then), and spending many sleepless nights planning and grading. I don’t know that I’ve ever talked to anyone who said that first year was easy — or fun.

Rachel in New Jersey is a first-year teacher I heard from this past week. Despite her admission that she’s feeling a little “overwhelmed,” she has a great attitude! She said she’s trying to stay positive, but that she’s having a difficult time feeling “capable of balancing everything.” (Don’t worry, Rachel; I’m still not great at the balancing game!)

In her emails, Rachel’s big question was about getting students involved:

Any tips on how to get students to participate so that I don’t feel like I’m talking to bodies all day?!”

If you have a suggestion for Rachel, please comment below!! Whether you’re a teacher, parent, student, or just someone who takes an interest in these things, if you have an idea that you’ve seen in practice, I know it would help her and other new (and old, like me!) teachers tremendously!

And if you’re a new teacher with a question, by all means, send me a message through this site or e-mail me at mrshawke(at)gmail.com.


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Revised Tardy Form

Tardy sheet 2008

Since my school revised its tardy policy this year, a revised tardy form was in order. And it’s a good thing I did it quickly! Already, after only two weeks of school, I’ve had to contact two parents! :( And at least six other students have received their warnings…

Last year, students who were tardy to class received a warning for the first tardy, one day of after-school detention for the second tardy, two days of after-school detention for the third tardy, and referrals for all subsequent tardies. Last year’s form, which finally came to fruition in May, reflected these categories.

This year, students will still receive a warning for the first tardy, but for the second tardy, students’ parents will be contacted (by teachers). For the third tardy, students will receive one day of detention, and all subsequent tardies will result in referrals to the office. This year’s form provides a place for all necessary dates.

To download the tardy sheet, which is a Word DOC file, you can either click on the image above or click here.

You can feel free to modify it to suit your school’s tardy policy, as long as you make your form freely available, as well. :)

Updates

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Teaching the Virginia SOL Writing Domains

“Okay,” I told my advanced tenth-grade English students when class began, “take out a sheet of paper and a pen. We’re having a test!”

I smiled around the classroom at the agape mouths and wide eyes.

“A test?” a few managed to ask nervously. “What’s it on?”

I ignored the questions and took on that serious look that means do-what-I-said-now.

“On your paper, I want you to number to ten and write the correct answer for each.”

They looked around the room, and I tilted my head, “This is an individual activity.”

Hands shot into the air. Some faces were puzzled; others were pouting; still others had reached the boiling point.

“How are we supposed to know what to do?” was the general consensus.

This was the beginning of my first lesson on the SOL Writing Domains, and it definitely got my students’ attention! Afterward, they were in agreement that learning what any test constitutes and how you’ll be evaluated on it is a big part of your success.

For those of you not familiar with this concept, the three domains (Composing, Written Expression, and Usage and Mechanics) are used by the state of Virginia to evaluate the Direct Writing portion of the writing SOL test. Here’s a breakdown of the domains and the features that define them:

The Virginia Standards of Learning Writing Domains

  1. Composing
    1. Central idea
    2. Elaboration
    3. Organization
    4. Unity
  2. Written Expression
    1. Vivid and precise vocabulary
    2. Selected information
    3. Voice
    4. Tone
    5. Sentence variety
  3. Usage & Mechanics
    1. Sentence formation
      1. Standard word order
      2. Completeness
      3. No enjambments
      4. Standard coordination
    2. Usage
      1. Inflection
      2. Agreement
      3. Conventions
      4. Word meaning
    3. Mechanics
      1. Formatting
      2. Spelling
      3. Standard capitalization
      4. End punctuation
      5. Internal punctuation

The direct writing portion is one of two that make up the writing SOL test (the other is multiple-choice), and during it, students are given a writing prompt on which to write. Each essay is then evaluated by at least two people across the state in each of the three domains, according to the following scale:

4 = The writer demonstrates consistent, though not necessarily perfect, control of almost all the domain’s features.
3 = The writer demonstrates reasonable, but not consistent, control of most of the domain’s features indicating some weakness in the domain.
2 = The writer demonstrates enough inconsistent control of several of the domain’s features indicating some weakness in the domain.
1 = The writer demonstrates little or no control of most of the domain’s features.
from Virginia SOL Assessment: End-of-Course Writing Test Blueprint

The readers read; then, the readers score; then, the scores form a mixture that determines whether a student graduates or not. (You can find the specific recipe in the Blueprint.)

This is serious stuff. Students enrolled in English 11 must not only pass the course itself, but also both the Writing SOL and the Reading, Literature, and Research SOL. Or they take it over and over until they do. Or they don’t graduate.

When I started teaching at GW three years ago, the head of the English department sat me and the two other “new” English teachers down for a session on teaching the domains. We went through the meanings of the three domains and their features and evaluated several student writings using the domains as a rubric.

I was no stranger to the domains when I went to GW. I remember sitting in Laurel Park High School’s library (still there, but now a middle school) poring over piles of paperwork that constituted the beginnings of the state’s SOL testing. That was probably nine or ten years ago, and though I’d used my understanding of the domains in teaching writing, I’d never taught them to my students. Live and learn!

Now, I begin every class with a detailed discussion of the writing domains and the features that define them. I found a great resource on the Virginia Department of Education’s website called “The Virginia SOL Writing Tests: A Teacher’s Resource Notebook for Enhancing Writing Instruction and Improving Scores on the State Assessments” that helped describe the domains and features in detail; I used it to create my SOL Writing Domains Notes.

I made a transparency out of my notes; then, I took all the “meat” out of it and made an incomplete outline I call SOL Writing Domains Student Notes. So while we’re discussing the domains and features, students are filling in the blanks on their sheets from the notes on the overhead, as well as adding information in the margins as directed. (We “review” a lot of extra grammar and usage, especially.)

Once I feel like everyone understands the information, we move on to using it — in evaluating student writing samples using first a basic, numbers-only rubric (SOL Writing Domains Basic Rubrics), and then, a more detailed one (SOL Writing Domains Detailed Rubrics) that I designed incorporating the three domains and their features. (I don’t have any of the writing samples in digital form, unfortunately.)

I usually evaluate a few writing samples with my students first, using the rubrics. This modeling has been extremely helpful. Then, I have them work in groups to do the same. Sometimes, I give extra individual practice, also.

Before we move on, students complete a review on the information (SOL Writing Domains Review) and take a test, also (not available for download – but let me know if you’d like a copy).

My next stop on the writing train is the essay-writing process, during which I continuously refer to those domains and features, pointing out how they work together and where they fit. This unit culminates with their writing an essay of their own from a prompt. Once their essays are finished, I have them use those same rubrics to evaluate each other’s papers; we continue this peer evaluation throughout the course. We also use these strategies in evaluating professional writing from their textbook and from newspapers.

The bottom line here is that learning how their essays will be evaluated — via understanding these domains and features — helps students to not only write better, but to understand how and why they write better. This helps improve success rates with not only the essay part of the SOL, but also the multiple-choice section! So in this case, at least, better test-takers are better all around.

If you’ve used other methods of teaching students how to evaluate their own and others’ writing, please let me know! Contact me through this site or e-mail me at mrshawke(at)gmail.com. :)

Available Teaching Materials

  • SOL Writing Domains Notes – Word File
    An outline of the three domains and their features with lots of elaboration. It’s in 18-point Verdana, so it’s easy to see from the overhead projection. I use a transparency of this, and students fill in the blanks on their SOL Writing Domains Student Notes as we go over it. I spend a lot of time on this, usually, because along the way we’re “reviewing” some grammar and usage, also.

  • SOL Writing Domains Student Notes – Word File
    An incomplete outline identical to SOL Writing Domains Notes but with blanks and boxes all over the place, so you can be sure students at the very least wrote the most important words once. I make a copy of this for every student and have them write down additional notes all over the margins as I’m going over the transparency of the SOL Writing Domains Notes!

  • SOL Domains Outline – Word File
    A bare-bones outline of only the three domains and their features; these are the words in boxes on the SOL Writing Domains Student Notes. This corresponds exactly with one section of the SOL Domains Test, and it is also included on the SOL Writing Domains Review.

  • SOL Writing Domains Basic Rubrics – Word File
    Includes two basic rubric sheets on one page. (I make copies and cut them in half, since we end up using so many of these.) Each sheet has seven columns: one that lists the SOL domains and features, one to hold the maximum point value per domain, and five evaluation columns with an “Essay #” header on each. We start out using these to evaluate sample essays; later, students use them to evaluate their own and each other’s essays. They’re quick and easy, but I generally require lots of comments for full credit. It’s too easy to just slap some numbers down without reading and/or thinking, which is why I developed the SOL Writing Domains Detailed Rubrics below!

  • SOL Writing Domains Detailed Rubrics – Word File
    Includes one detailed rubric sheet with evaluation columns for three essays. Each column has an “Essay #” header for identification. There are blanks to be filled in for each domain, focusing on the features, and each includes a “Points Given” box. I’ve found it best to model this evaluation before having students try it on their own or in groups. (I’d suggest the same for the basic rubrics, as well.)

  • SOL Writing Domains Review – Word File
    A four-page review of the domains and features, plus other related information that we go over when discussing the SOL Writing Domains Notes.
    Ten sections: 1. Matching terms with definitions 2. Completing an outline of the domains and features (from the boxes on SOL Writing Domains Student Notes) 3. Listing four methods of separating independent clauses 4. Choosing whether to use a or an (Yes, some students still don’t know…) 5. Listing five characteristics a complete sentence must have 6. Identifying run-on sentences and comma splices 7. Listing the seven coordinating conjunctions 8. Identifying the pronoun and its antecedent 9. Matching terms with their synonyms 10. Identifying sentences and sentence fragments.
    I let students use their notes to complete this, sometimes in groups or pairs, but always for a hefty number of points.

  • SOL Writing Domains Test (not available for download)
    A three-page test on the domains and features, plus related usage and structure issues.
    Eight sections: 1. Completing an incomplete outline with thirteen blanks 2. Matching twenty terms with definitions 3. Identifying run-on sentences and commas splices; then, fixing the errors with one of the four methods of separating independent clauses 4. Choosing whether to use a or an 5. Identifying sentences and fragments. 6. Listing the missing characteristics every sentence must have 7. Identifying the pronoun and its antecedent 8. Listing the missing coordinating conjunctions.

  • “The Virginia SOL Writing Tests: A Teacher’s Resource Notebook for Enhancing Writing Instruction and Improving Scores on the State Assessments” – PDF File.
    Published by the Virginia Department of Education’s Office of Secondary Instructional Services in 1999, and written/edited by Bruce B. Stevens. I found this document on the VA DOE’s website several years ago, but I had a tough time finding a copy online when I started to post these materials. It’s not on the state’s server anymore! I found one copy (all others were linked to the DOE’s site, which ended up being an error page. . .) on the Richmond school district‘s server, but I didn’t want to link to theirs; that would be in bad taste. So I copied it and uploaded it to my own. If you’re from the DOE and you’re unhappy with my doing so, don’t hesitate to let me know. =)

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